Recognition is the identification
of a single past knowledge or experience. Recognition does not have to be
dramatic, for we recognize people, places, and things everyday without surprise.
Realization, however, is a collection of recognitions that is usually
characterized by what I like to call, “the wow factor.” A realization comes at
the crossroads of many past recognitions.
The chronology of recognizing and
realizing presents itself in nearly every detective story. Consider the series Monk. Detective Monk enters a crime
scene and fills his memory with facts and images that may prove helpful in the
future. As he investigates the crime,
Monk recognizes people, items, and irregularities that lead him closer to the
truth. Once all the right pieces fall
into place, Monk realizes who committed the crime in a moment of epiphany as he
dramatically says, “Here’s what happened.”
Impressionist art follows this same
pattern. At first the viewer recognizes colors, then perhaps some shapes begin
to emerge. It is not until all of the
individual pieces are recognized that the viewer can realize what the image is
as a whole. Consider the painting Soleil
Levant by Claude Monet (http://www.ibiblio.org/wm/paint/auth/monet/first/impression/impression.jpg).
First the viewer recognizes the sun from its shape and color, then the boats
and people inside them. Finally after some time, the viewer can fully
understand that they are looking at the sun rising over a marina. Keep in mind
that the only reason the viewer is able to understand the images in the
painting is because he/she has seen them in past experience, as both
recognizing and realizing rely on this. But what is really interesting is that once
the big picture is realized, the mind begins to recognize other pieces in the
painting that it may not have previously noticed.
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