Although
recognition and realization are often used interchangeably, their meanings are
not in fact one and the same.
Their relationship far surpasses that of synonyms. Recognition is a more detached,
external observation that does not bear much profound meaning to the observer. It has a sense of familiarity, as it draws
from previous knowledge and a pre-conditioned premise. Realization, on the
other hand, is the conclusion of one or more recognitions. It takes the external observations and
internalizes them, adding meaning and a higher level of understanding. Realizations are often tainted by the
individual’s perceptions, resulting in either the creation or re-evaluation of
a personal truth.
Edna
Pontellier, from Kate Chopin’s novel The
Awakening, recognizes the gender inequality of the Victorian Era and acts
on the pre-conceived notion that more independence will result in her happiness.
However, she eventually realizes that the freedom she desires is unattainable, and
that she will never achieve true happiness.
In the film Shutter Island, Andrew Laeddis has
created an alternate reality for himself, risking lobotomization should he
continue to reject his true reality.
His recognition of the likely re-emergence of his violent persona leads
to the realization that he would rather be lobotomized as Andrew than risk the
possibility of losing his identity again.
His perception and truths as Andrew – completely separate from those of his
other persona – tell him that it is better to “die” a good man than live as a
monster.
Without some
sort of initial recognition, a realization is not possible. Even though realizations often offer a
new perspective, it must have been built upon an event or idea that has been
previously encountered and considered.
It is only when these ideas represent a new or different truth that
recognition becomes realization.
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